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![]() HOT IMPROV: As a prelude to its first full season devoted to improvisational jazz, Zeitgeist presents Tony Malaby and Joey Sellers' Quartet at the Mat Bevel Institute, formerly the D.P.C., at 530 N. Stone Ave. Performance artist Mat Bevel enhances the intimate experience with his sculptural creations and interpretive lighting. The quartet, founded by tenor saxophonist Malaby and trombonist Sellers, includes drummer Billy Minzt and bassist Trey Henry, both from Los Angeles. Recently relocated to New York, former Arizonans Malaby and Sellers met in the early '80s at the UA Jazz Studies program, and have maintained the quartet, despite the 3,000 miles separating the members, as a means of improvisational exploration on a small-group scale. The performance is scheduled for 8 p.m. on Monday, September 29. Tickets are $8, $7 in advance, with a dollar off for TJS and KXCI members. Advance tickets are available at Last Wax Records, 402 N. Fourth Ave. Call 621-7355 for more information.
LAST NOTES: The Airport Lounge, 20 E. Pennington St., has two noteworthy headliners this week: The Makers rock the lounge underground on Thursday, September 25; and the Hillbilly Soul Surfers return triumphant on Friday, September 26. Call 882-0400 for more information. Congratulations go out to Shoebomb, whose members are celebrating the long-awaited release of their full-length debut, Pop Quiz, with a CD release party on Friday, September 26, at Club Congress, 311 E. Congress St. The disc is available in all your favorite record stores, and will be sold along with other groovy merchandise the night of the release party. Panic Over Train Wreck will open the show, with Shoebomb featured in the middle slot (for all you crazy kids with early bedtimes), with Al Perry wrapping it up late-night. Then on Sunday, September 28, the Congress hosts a belly-slappin' triple bill with one of Tucson's perennial favorites, raunchy headliners Tenderloin, preceded by former Replacements guitarist Slim Dunlap, who'll be playing material from his two solo releases (I have my fingers crossed for "Little Shiva's Song"), and one the most interesting bands lately on the local scene, the duo Twine. Cover for Sunday's show is $5 at the door. Call 622-8848 for more information. Local classical guitar soloist David Leisner performs Bach, Mertz, Ginastera and Schubert, along with original material, at 7:30 p.m. Wednesday, October 1, at Grace St. Paul's Episcopal Church, 2331 E. Adams St. Admission is $10 in advance, $7 for members of the Tucson Guitar Society. LAST WORDS: We've hardly had a moment's peace from one of the summer's most pervasive ad campaigns, the "Miller Genuine Draft Blind Date," wherein music fans were tempted by various means to compete for a trip to see an unannounced big-name band in a small club in a big city. To be honest, I didn't feel any great sense of expectation or loss by missing out on the Foo Fighters or Bush, but the announcement of the third and final showcased performer has me twisting with ambivalence: Friday, September 19, David Bowie performed the MGD Blind Date with guests the Chemical Brothers at the Vic Theater in Chicago. Missing an opportunity, however farfetched or ill-gotten, to witness the Thin White Duke in a club with a capacity only slightly greater than that of the Club Congress is a bitter regret indeed. Even more bitter, though, is the thought that Bowie--himself a master of media manipulation--would stoop to participation in such an obvious and cheesy hype-fest sponsored by a mediocre American beer.
I have but one question: Who owed whom a favor? The idea of seeing
Bowie in such an intimate setting is every staunch fan's wet dream,
yet my mind reels with hateful imaginings filled with scores of
young, perplexed contest winners hoping for Oasis or No
Doubt and disappointed with an artist they probably knew little
about or thought of as a has-been bent on renewed hippness. With
respect to the other Blind Date bands, Bowie is a sage among neophytes,
making his performance all the more perplexing. At the very least,
Bowie seemed aware of the peculiar and exceptional circumstance
of his participation, as evidenced by his initial comments to
the audience: "Do you have a few minutes? I'm going to play
a few songs for you--some old, some new, some you'll like and
some you won't." Space Oddity indeed.
--Lisa Weeks
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